Alyssa Casey: In contrast to the singular words found throughout the house directly related to Anita's experience, the viewer will also encounter footage of the 1932 fascist ceremonies of transporting Anita's remains from Genoa to Rome and the unveiling of Anita's monumental statue to house her remains in Trastevere, creating a counter-weight of the eventual appropriation, de-materialization, and symbolization of her very body.